- I MAY DESTROY YOU EPISODE 4 ANDROID
- I MAY DESTROY YOU EPISODE 4 PRO
- I MAY DESTROY YOU EPISODE 4 SERIES
- I MAY DESTROY YOU EPISODE 4 TV
I MAY DESTROY YOU EPISODE 4 SERIES
Self-isolating in her London apartment during a pandemic, supervising the series edit while the world erupted in urgent protests against anti-Black violence, she became nervous about dropping such an intense show during such an intense time.
I MAY DESTROY YOU EPISODE 4 TV
And as Monáe points out, “It’s rare that you see a Black woman writing, directing, and starring in their own TV show centered around the trauma she experienced.” This was something new, something all its revolutionary own.Ĭoel is gratified, and more than a little relieved, by the overwhelmingly positive response. Each week, it seemed, a new wave of people fell under the show’s singular spell. “Holy s- it’s good,” tweeted Seth Rogen, blunt as ever. “Michaela is a deep talent, a true shapeshifter,” marveled Jane Fonda, interrupting her feed’s strict diet of activism for a photo of Coel.
“I’ve never felt so many emotions at once,” Adele gushed on Instagram. While Coel had won critical acclaim and a dedicated audience for “Chewing Gum,” “I May Destroy You” immediately became a different kind of sensation for viewers.
I MAY DESTROY YOU EPISODE 4 PRO
“I’m not anti-Netflix, but I am pro ‘the creator, writer, director, actor should probably have a right.’”
I MAY DESTROY YOU EPISODE 4 ANDROID
“As a fellow android exploring what it means to be human,” says Coel’s friend Janelle Monáe, “watching Michaela be vulnerable on-screen as she walks in her truth gives me and so many the bravery to walk in ours.” Now, with “I May Destroy You,” she’s doing it for all the world to see. She’s been sifting through the emotional wreckage ever since to find some kind of clarity, if not peace. In 2016, Coel took a break from a marathon writing session for the second season of “Chewing Gum” to grab a drink with a friend, and was drugged and assaulted by a stranger. Not every part of Arabella has a direct line to Coel, but the series’ catalyzing experience, unfortunately, does. “It touches all the tentacles of what it means to be a human being.” “The scope of that show is so huge,” says “Russian Doll” co-creator Natasha Lyonne, who considered Coel a “partner in emotional crime” well before she got to see the finished series.
and has drawn consistent attention and praise throughout its 12-episode run. Co-produced by HBO and BBC One, the series premiered June 7 in the U.S. In some of its tougher scenes, the series has them all revisiting moments that once felt innocuous but upon reflection, ring with a truer, keener pain.Įverything in “I May Destroy You” - from the music to the graphics to the neon-tinged cinematography - comes together to tell a layered narrative about how consent, or the persistent lack thereof, informs so much of our daily lives. Episodes weave in and out of flashbacks to Arabella’s assault, idyllic trips to Italy, her East London childhood with her best friend Terry (Weruche Opia) and back to the present, where their brother-in-arms Kwame (Paapa Essiedu) is quietly struggling with his own recent assault. Soon enough, though, Arabella reluctantly comes to understand it as the truth, and tries to work through that horrifying reality without coming apart.Īrabella’s journey to acceptance forces her to reconsider everything about her life: her work, her friends, her family, her attachment to social media, the ways in which she loves and is loved. At first, she dismisses the hazy memory as just an upsetting image in her head. ‘ I May Destroy You,’ Coel’s gimlet-eyed exploration of trauma and its myriad ripple effects follows Arabella (Coel) - a funny, messy, sharp-as-hell London writer - after a dizzying night in which she’s drugged and raped by a stranger. This ability to not just acknowledge a fear, but confront and absorb it, forms the pulse of the multihyphenate’s new series and most personal project to date.
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